Thursday, November 17, 2011

Write Like Her


At 22, I seemingly had it all. I lived in a narrow but sunny apartment in a well-kept brownstone on a gorgeous, winding block in the historic West Village of the best city in the world: New York. And on weekday mornings, I waitressed at the Cornelia Street Café.

With the rest of the city tucked into their office buildings and schools, I’d throw open the French café doors at 9am and set the rickety wooden tables and chairs on the sidewalk. Within a few minutes, the neighborhood bachelors arrived for their cappuccinos and morning cigarettes. I’m sure I had female customers too, but I remember the men most of all. Other than an exchange of “good mornings,” their only other communications were hand signals for “more coffee” and “check.”

I sat at the bar with a full view of the customers. Sipping my café au lait, I did what everyone was doing: reading the Times, doing the crossword. But I’m not sure the guys were also looking at Anna Quindlen’s columns like I was.

I didn’t know what an essayist was. All I knew was that Quindlen had a weekly column of text on the right-hand side of the last page––and she filled this dedicated space with words about adult issues I didn't wholly understand: marriage, death, children, career, relationships. But what I lacked in Life Experience, I made up for in Emotional Intelligence. Through the craft of her essays, I could sense the pains, joys, injustices and celebrations––so I cried and cheered right along with her.

On the surface level, it looked like I was a 22-year-old café waitress. But the deep undercurrent of my life was flowing. Without knowing Anna Quindlen, I thought she was a brave woman for giving public voice to the private thoughts in her head and feelings in her heart. She made me want to write like her. I mustered up the courage: If she can do it, why can’t I?

Sunday, November 6, 2011

Madame Butterfly


The Italian aria, “Un Bel Di, Vedremo,” triggers the most memories about what a special young adulthood I had living in New York City for 18 years––from my late teens through my mid-30s.

In Puccini’s opera Madama Butterfly, Cio-Cio San sings “Un Bel Di, Vedremo” (“One Beautiful Day, We Will See”)––as she waits for her bounder, Pinkerton, to dock his ship in Nagasaki port.

This long solo defined my youth: hopeful, lovesick. But even though I felt lonely in New York, I was not alone; I was accompanied by innumerable experiences.

For one, the Metropolitan Opera frequently performed Madama Butterfly. But in those days, I didn’t have the money to go uptown to Lincoln Center. I was lucky enough to have a small TV (the size of a large toaster oven) in my tiny apartment. There was no remote control so I left it set to Channel Thirteen. To my surprise one evening, PBS broadcast a taped version of the Met opera and from the comfort of my futon, I watched the beautiful, tragic opera unfold.

I went on to see some very imaginative spin-offs over the years. I couldn’t afford David Hwang’s Tony award-winning play, M. Butterfly, but was happy to catch his screenplay starring Jeremy Irons. I was fortunate when a friend’s mother gave us two free tickets to see Miss Saigon on Broadway and I got to experience the fixed storyline transmuted again.

But the interpretation that stunned me the most occurred around 2 in the morning––when Afrodite took the stage at Boy Bar. The tall, black drag queen wore her trademark 70s-style afro wig, a glamorous velvet gown and elbow-length white gloves.

The DJ cued the record and within moments, the heavy synth and bass of Malcolm McClaren’s “Madame Butterfly” flooded the sound system. Afrodite jammed hard and moved her lips in perfect synchronization:
            “Call me a fool! Call me stupid!
            Bend this arrow, kill this cupid
            I have faith, I’ll always pray
            My white honkey’s here to stay.”

Toward the end of his expressionistic rock song, McClaren mixes in the traditional “Un Bel Di, Vedremo.” In the crowded club of X’d-out partygoers, I closed my eyes and let the Italian aria wash over me: “One beautiful day, we will see...”

I was so young and lost and had no idea what I would see. But I had faith that one day I would see––and it would indeed be beautiful.